Missouri 18

Listen to Missouri 18, a 26-year-old man from Springfield, Missouri, United States. Click or tap the triangle-shaped play button to hear the subject.

Both as a courtesy and to comply with copyright law, please remember to credit IDEA for direct or indirect use of samples.  IDEA is a free resource; please consider supporting us.

BIOGRAPHICAL INFORMATION

AGE: 26

DATE OF BIRTH (DD/MM/YYYY): 1975

PLACE OF BIRTH: Springfield, Missouri

GENDER: male

ETHNICITY: Caucasian

OCCUPATION: N/A

EDUCATION: N/A

AREA(S) OF RESIDENCE OUTSIDE REPRESENTATIVE REGION FOR LONGER THAN SIX MONTHS: N/A

OTHER INFLUENCES ON SPEECH: N/A

The text used in our recordings of scripted speech can be found by clicking here.

RECORDED BY: James Knight (on behalf of L. Colaianni)

DATE OF RECORDING (DD/MM/YYYY): 03/2001

PHONETIC TRANSCRIPTION OF SCRIPTED SPEECH: N/A

TRANSCRIBED BY: N/A

DATE OF TRANSCRIPTION (DD/MM/YYYY): N/A

ORTHOGRAPHIC TRANSCRIPTION OF UNSCRIPTED SPEECH:

Well, noodlin’ is a rural Ozarks experience that results occasionally in loss of limb.  Uh, noodlin’ is somethin’ that I learned about through a friend of my dad’s, Pat Shanks, an’, Pat’s a crazy bastard. He, um, he’s the guy who, when you’re out in the woods choppin’ firewood and the snakes comes out of the woodpile, would grab the snake an’ show it to everybody, and go, “Ooh, it’s a mean old snake,” an’ pinch its head off.  So, you know, I think that Pat’s childhood had a lot to do with how he, uh acted as an older individual.  An’ Pat had a crazy uncle, when he was a kid, who used to come home in a vicious drunk an’ get all the kids outta bed and take ’em noodlin’.  An’ what noodlin’ was — is — is — it’s an– primitive form of fishin’.  Person would get down into the, um — git down into the water, and — see, a lotta the rivers in south, southwest Missouri have mud banks, and what would happen is a big ol’ catfish’d get in front o’ the mud banks, an’ swish his tail back ’n’ forth.  And, and that big ol’ catfish’d sit there aswishin’ that tail until — just a moment, please — until there’s a hole in the mud bank.  An’ this hole goes back into the bank, an’ the catfish’d go up ’n there.  It would lay eggs, um, an’, an’ it was basically just a littl– a li’l hole for the catfish.  An’ so what people would do was — th– the adults would git down in the river, while the kids stayed up on the bank, an’ the adult men would get down in there, an’ I, I assume that a few women probably did this too, but I think most of ’em were smarter than to do this.  Um, they would git down in there, an’ reach an’ reach deep into that hole, an’ tap on the side o’ that fish, an’ the fish would come out, hit ’em in the chest, and they’d grab it an’ throw it up on the bank.  An’ that was noodlin’.  It’s illegal, an’, uh, I, I’ve never been able to figure out why, but …  So they would do this, an’ then the kids would drag the fish away from the bank an’ clean them, but Pat’s uncle was an innovator, at noodlin’.  He, he, he was a visionary.  And he thought that there was no sense in stickin’ your hands into the cave in the mud bank, because that was the way that you lost limbs.  Because, you know, that ol’ catfish may ’a’ moved out o’ there.  A big ol’ snappin’ turtle might ’a’ moved in,  or a big nest o’ snakes.  I mean, you know, there’s a who– whole realm of possibilities.  And so, you reach your hand up in there, an’ you know, two fingers are suddenly missin’, an’ there you are, noodlin’ with two less fingers.  An’, so, he was thinkin’ of a way to s– thinkin’ of a way to advance the cause of noodlin,’ an’ he came up with the idea of, of a, a gig, a gig on the end.  Like a frog gig, like you’d use for froggin’.  Came up with the idea of a frog gig that was put on the end of a rope line that he had tied around his wrist.  So he comes home in a ragin’ drunk, an’ gets the kids up because he’s excited,  to take ’em all out an’ show ’em his new noodlin’ invention.  An’ they go down to the river, an’ he’s got this gig tied around his wrist, an’ he gets down into the river, an’ he gigs up into a hole, an’ I guess he didn’t realize how big the catfish was that he gigged.  But it dragged him to the bottom of the river an’ drowned his ass.  And, uh, I think that that was the last time that the Shanks family went noodlin’, but it just proves that even the most innocent fishin’ sport can prove deadly.

TRANSCRIBED BY: Jacqueline Baker

DATE OF TRANSCRIPTION (DD/MM/YYYY): 30/06/2008

PHONETIC TRANSCRIPTION OF UNSCRIPTED SPEECH: N/A

TRANSCRIBED BY: N/A

DATE OF TRANSCRIPTION (DD/MM/YYYY): N/A

SCHOLARLY COMMENTARY: N/A

COMMENTARY BY: N/A

DATE OF COMMENTARY (DD/MM/YYYY): N/A

The archive provides:

  • Recordings of accent/dialect speakers from the region you select.
  • Text of the speakers’ biographical details.
  • Scholarly commentary and analysis in some cases.
  • In most cases, an orthographic transcription of the speakers’ unscripted speech.  In a small number of cases, you will also find a narrow phonetic transcription of the sample (see Phonetic Transcriptions for a complete list).  The recordings average four minutes in length and feature both the reading of one of two standard passages, and some unscripted speech. The two passages are Comma Gets a Cure (currently our standard passage) and The Rainbow Passage (used in our earliest recordings).

 

For instructional materials or coaching in the accents and dialects represented here, please go to Other Dialect Services.

 

error: Content is protected !!