New Jersey 2
DATE OF BIRTH (DD/MM/YYYY): 1956
PLACE OF BIRTH: Newark, New Jersey
OCCUPATION: attorney in environmental law
EDUCATION: law degree
AREA(S) OF RESIDENCE OUTSIDE REPRESENTATIVE REGION FOR LONGER THAN SIX MONTHS:
Subject was born in Newark, New Jersey, and raised in Cranford, New Jersey, in the north-central area of the state. Although he has lived in Easton, Pennsylvania; Boston; London; and northern Israel, the subject has spent most of his life in New York and New Jersey.
OTHER INFLUENCES ON SPEECH:
Subject’s parents were immigrants from Poland and Russia.
RECORDED BY: Daydrie Hague
DATE OF RECORDING (DD/MM/YYYY): 2004
PHONETIC TRANSCRIPTION OF SCRIPTED SPEECH: N/A
TRANSCRIBED BY: N/A
DATE OF TRANSCRIPTION (DD/MM/YYYY): N/A
ORTHOGRAPHIC TRANSCRIPTION OF UNSCRIPTED SPEECH:
The big Yankee fan in the family was Grandma. On Saturdays during baseball season — several times during the season — Grandma would take me to see the game. We would get up early, head in to Newark. We would drive into Newark — we lived in Cranford — and get on the old Hudson tubes, which is now the PATH train. And we would get off, probably down by what is now the World Trade Center Stop, and then we would get onto the A-train, going north, eh, all the way up into the Bronx, where we would get off plenty early, so that we could even stop for lunch. There was a wonderful old cafeteria, beautiful old cafeteria where we would go before the ball game, and Grandma would get me a corned-beef sandwich and a celery tonic. So that would be … Then we would get to the Yankee Stadium so early that they would still be setting up for batting practice, so we would be there probably two hours before the game began. And then — this is one of my favorite parts — after they finished all of the batting practice, they took the batting cage away, and then the maintenance crew would come out with the line machines. And they would put the new lines down from home plate to first base and third base, and then they’d bring out the — a mold, that they would lay on the ground, a wood form that they would then put in alignment to create the batter’s box. So everything would be just perfect. The ground crew would come and sweep the out — the infield, so that the dirt was perfect. And the outfield, the grass would be perfect. Actually, one of the greatest moments would be first getting to the stadium, walking into that baseball stadium up the ramps that would take us to our seats, we always had box seats on the first base side. and walking through the, uh, the entrance way that would take you from the ramps into the field, that first glimpse of this perfect space that was indoors and outdoors at the same time, and we would sit down. The–there were the old ushers that would come, with the mitts that they would put on their hand, and they would wipe the seat off, and Grandma would give them a tip. And we would sit down, watch the entire batting practice, wait for the game to begin. And then all of the excitement of sitting there, watching the game with my grandmother. And she was just the biggest fan. And it was just a treasure to be there with her. Uh, so that one of the great treats. Grandma used to work in Newark. She worked for an upholsterer. Uh, she — uh, I shouldn’t say an upholsterer, uh, a drapery maker. Uh, the drapery maker would, would create the designs, and she would fabricate the drapes. And I would go in with her on Saturday, when we didn’t go to baseball games. And she worked in Newark and it was large interior … it was a large space on the second floor of the upholstery and, un, uh, drapery building. Uh, and the drapes would be made and fabricated on these very long tables. They were probably, well, they seemed to go on forever, but they were 20- or 25-foot long tables that they would lay the draperies out on. Uh, Grandma would give me some money to go downstairs to Woolworth to get a model airplane. And I would get a model airplane and some Duco cement, and I would sit next to her while she listened to the Metropolitan opera on Saturday, the Texaco Metropolitan Opera broadcast.
TRANSCRIBED BY: Jacqueline Baker
DATE OF TRANSCRIPTION (DD/MM/YYYY): 13/12/2007
PHONETIC TRANSCRIPTION OF UNSCRIPTED SPEECH: N/A
TRANSCRIBED BY: N/A
DATE OF TRANSCRIPTION (DD/MM/YYYY): N/A
The subject speaks in relatively low pitches in a narrow melodic pattern, using volume and elongation of a vowel for emphasis. In general, he uses a falling inflection pattern towards the ends of sentences. His speech is characterized by relaxed consonant action, particularly with the use of [d], [t], [l], [s], and [ð]. The tongue tip seems to approach the back of the front teeth rather than the gum ridge or the space between the upper and lower teeth. Occasionally [d] is substituted for [t] as in [fjudəl] for futile and [sædədeɪ] for Saturday. There is consistent use of hard [r] and [tə] for [tu]. Finally, notice the pronunciation of the name [sæɹə], not the expected [sɛɚɹə].
COMMENTARY BY: Daydrie Hague; Unicode trans. and minor edits by Dylan Paul
DATE OF COMMENTARY (DD/MM/YYYY): 2004
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